National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
Tennessee Williams: Night of the Iguana
Semler, David ; MRAVCOVÁ, Marie (advisor) ; VAJCHR, Marek (referee)
The Bachelor's Thesis compares the short story and the play, both entitled Night of the Iguana and both written by Tennessee Williams. The Thesis also deals with the adaptation of the play to the form of a film production directed by American director John Huston. Although both the characters and the events of the short story differ from the play, both literal works share the themes and motives they deal with: loneliness, anxiety, non-freedom, contrast between chastity and obscenity, loss of faith in God, the desire for unity with another person and the belief in the power of spiritual contact between two people. The film Night of the Iguana is a successful adaptation, in which most of the changes to the original play are only formal. The film is more epic, the unity of time, place and space is broken, dialogues are truncated, while the characters are more profound. There is less of the symbolic and the philosophical questions in the movie, as well as there is not so much of Williams’s absurd sense of humour and the overall approach of the director is more realistic. However, the main theme, the story and the characters stay true to the original Williams’s play.
The Contemporary Staging of Selected Plays by Tennessee Williams
Svozil, Adam ; OTČENÁŠEK, Štěpán (advisor) ; ŠIKTANCOVÁ, Jaroslava (referee)
This bachelor thesis is based on analysis and comparison of two contemporary productions of plays written by Tennessee Williams. It describes two more general tendencies in the interpretation of dramatic texts that manifest themselves in these stagings. The selected productions are: A Streetcar Named Desire in Činoherní klub (Prague Drama Club) and Vieux Carré by the New York-based Wooster Group. The second part of this thesis is a reflection on the practical work - preparation of the bachelor production called Tennessee Blues. It describes the preparation of the dramatic text, scenographic conception and it also explains the nature of the chosen acting styles and gives overall insight into the production.
DRAMATIC WORLD OF TENNESSEE WILLIAMS
Kosová, Kristýna ; KUDLÁČKOVÁ, Jana (advisor) ; ULLRICHOVÁ, Daria (referee)
The teoretical foundation of this bachelor thesis is a portrait of Tennessee Williams and his autorship of creating distinctive dramatic world. It examines the broader context of his life and art. The practical part is based on the dramaturgical reflection of the bachelor production called Tennessee Blues. It includes an analysis of used plays ? This Property Is Condemned, Twenty-seven Wagons Full of Cotton, Talk to Me Like the Rain and Let Me listen. Furthermore, it describes the concept of production , interpretation of the scenic montage and dramaturgical adaptation of each play.

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